Tuesday, January 25, 2011

Journal #2: Peter Max Icons

Fearless
2010
Acrylic & Silkscreen on Canvas

Mick Jagger
1995
Acrylic & Silkscreen on Paper

Wednesday, November 17, 2010

Journal #12: Fresh Hybrid

Sandy Skoglund
Fresh Hybrid
2008, Pipe Cleaners, Wool Fibers, Chenille Chicks, Live Models
Photograph and Temporary Installation


Friday, November 12, 2010

Journal #11: St. Basil's Cathedral



Postnik Yakovlev
St. Basil's Cathedral
Moscow, Russia
1555 Wood, Stone, & Red Brick

Friday, October 15, 2010

Art IV Blog: Las Dos Fridas

i think is very unique how she explains her feelings in this picture ive never seen anything as weird as this well umm peace

Thursday, October 14, 2010

La Primavera

La Primavera was painted by Sandro Boticelli and is now located in Florence, Italy. The size of the painting is 315 cm x 205 cm. My first impression of Primavera was that the painting looks very greek and symbolic to some type of important figures or events. The artist uses the values to emphasize dark personalities in the painting, Zephyrus who is symbolic to the cold winter changing into the early part of Spring, Chloris. Also the use of perspective; how some figures are more forward and some are standing in the background. The painting is balanced with the eight figures, and the ninth (Cupid) balance the center where Venus is represented. Some of the figures are wearing loose, thin clothing, where the others are wearing thick, heavy clothing. The main focus of the painting is Venus, standing in the middle of the painting. She looks like The Virgin Mary by the way she is standing. The theme is the transformation of the seasons, "to spring." The painting is about the coming of spring and the artists uses there symbolic figures to symbolize different parts of spring. An example is Flora, who is the mother of the flowers. Chloris turns into Flora. I believe Sandro Boticelli's view of the world is spiritual because of her use of symbolic figures to explain the transformation of spring. My thoughts and feelings have changed after learning about the background and symbolic history. The most important part of the painting that I observed was the symbols. To make my art more meaningful, I need to think deep and come up with objects or people to symbolize a type of feeling or emotion.

Primavera by Botticelli

Sandro Botticelli, Primavera, 80 x 124 inches, Uffizi Florence

First Impression: I instantly assumed that it was from the Renaissance Era. I like the piece, although the angelic faces and perfect bodies become redundant or cliche over time.

Analyze: Chiaroscuro is utilized as in most Renaissance Art, the lighting is revealing what is going on in the piece. From research, I understand that this piece is extremely controversial, because some consider the piece to be an allegory of the lush growth in Spring or it may be a standard mythological piece. The materials in the dresses and togas are more formal materials, because that probably matched the Medici home decor, but it brings out the formal of Spring like dressing up on Easter Sunday. It is the offical announcement of Spring's awaited arrival. The lighting which is focused toward the center-left at the Three Graces, provided at relieve from the cold,dark shades near Zephryus and his gusts of winter.

Interpret: The piece is an allegory of the lush transformation during Spring. I'm not an expert on Florentine Politicans, but perhaps there was some kind of enlightenment in the Florentine society, because this was created by a humanist. The humanists were men of science and they were historically floating around the Florentine aristocracy during this time period. I believe, Botticelli was trying to express a point of significant advancement in Renaissance Society during his time. I noticed that they lost more clothes as the painting approaches the left, so that could determine the innovativeness and openless associated with Spring.

Evaluate: No, not really. I'm not in awe of Renaissance Art, because many of the pieces are the same in theme and facial detail. "I instantly assumed that it was from the Renaissance Era. I like the piece, although the angelic faces and perfect bodies become redundant or cliche over time."

journal #8

Primavera by Botticelli

Botticelli created Primavera in 1482 and located in florence, italy.Venus is the center of intrest because all the other people are around her interacting with spring.Symmetrically balanced because Venus and cupid is splitted down the middle there for its symmetrical..It has to deal with greek mothogly and spring.Mercury is the protector of the graden, the three graces are dancing and welcoming spring , Venus is observing , Zephyrus is taking chloris to marry and she transforms into flora, Cupid is a hit man of love.The story of spring in greek mothogly.He was inspried by greek mothogly.I just saw a whole bunch of people doing things now i know that it is dealing with greek mythology and there view on spring.I learned symmetrical balanced in this painting.

JOURNAL #8 primavera

Sandro Botticelli
Primavera
Florence, Italy

My first immpression was this is just another greek painting, but after analyzing it I like it better. I would like to know more about the history of these gods, mostly zephyrus and flora.

Its a oil painting, with a lot of details.

The theme is greek gods celebrating spring. I think the artist created the work to educate people about the greek gods, and as a tribute to them.

I think its weird but cool how the womens bodies are shaped. Their tummies are weird kind of like gourds.